The history of racial violence in this country is long and ugly, and the trauma is ever-present for many people. But can art help us reckon with that history? On this episode, we talk to the people behind the current exhibitions on display at the College’s Faulconer Gallery. First, we discuss Reckoning with the Incident: John Wilson’s Studies for a Lynching Mural, which brings together the preparatory studies and sketches of John Wilson’s 1952 mural, The Incident, which depicts the scene of a racial terror lynching at the hands of the Ku Klux Klan while a young African-American family looks on. Then we take a look at Dread and Delight: Fairy Tales in an Anxious World, curated by Emily Stamey ‘01, who brought together the work of 19 artists whose work grapples with and reinvigorates early-modern European fairy tales. If you think you know fairy tales, think again. Finally, we end with a story about the alumni care packages sent to students before spring break.
We rupture the infamous "fourth wall" of theatre, going behind the scenes with Rob Neill '91, founding member of the New York Neo Futurists, to discuss their unique brand of performance, which lies somewhere between improv, sketch comedy, and avant-garde theatre. We also talk with Ellen Mease about the more traditional theatrical world of Shakespeare's Twelfth Night, which Mease directed this semester. She shares what Grinnell's theatre has meant to her, 40 years after she first directed her first production of the show.